|Subject:||Drama & Music||Publisher:||UBC Press|
|Published:||October 15th 2018||Pages:||364|
In the 1950s and ’60s, co-operative jazz clubs opened their doors in Canada in response to new forms of jazz expression emerging after the war and the lack of performance spaces outside major urban centres. Operated by the musicians themselves, these hip new clubs created spaces where jazz musicians practised their art. Live at the Cellar looks at this unique period in the development of jazz in Canada. Centered on Vancouver’s legendary Cellar club, it explores the ways in which these clubs functioned as sites for the performance and exploration of jazz as well as for countercultural expression. Jago combines original research with archival evidence, interviews, and photographs to shine a light on a period of astonishing musical activity that paved the way for Canada’s vibrant jazz scene today.
Marian Jago, originally from Canada’s west coast, is now a lecturer in popular music and jazz studies at the University of Edinburgh. She has published frequently on a wide variety of jazz topics for the Journal of Jazz Studies, Jazz Perspectives, Jazz Research Journal, Routledge, Bloomsbury, and others. Some of her recent work looks at the relationship of jazz to the writing of Jack Kerouac, the jazz economy of New York in the 1960s, and extended studio techniques versus “liveness” in jazz recordings. She also maintains an active interest in the Canadian jazz scene as well as the music and pedagogical practices of Lee Konitz and Lennie Tristano.